Plus there’s so much goddamn fan service. At almost every turn there’s a reference to
one of the previous installments and it’s really distracting. “You’re the new Dr. Loomis”, a model of the
Myers house in Laurie’s house, “the shape”, the falling off of a balcony from
part I, the taking of a chef’s knife
after a woman uses it to make a ham sandwich from part II, the Silver Shamrock masks from part III, transporting Michael from one sanitarium to another and
escaping en route from part 4, the
two goofy cops from part 5, bathroom stalking
from part 6 and H20, Laurie’s borderline alcoholism from H20, someone else putting on Michael’s mask from Rob Zombie’s Halloween II and a zillion others. (I didn’t pick out any obvious lifts from Resurrection or Zombie’s Halloween I)
The comedy is very silly and some of it is funny but then
the movie is also extremely violent. I
don’t think those two elements fit well together here. These drastic tone shifts are gonna wear you
down after a while and they bring into question how seriously you should take
the film.
There are two scenes that are very well done however. The one where Michael is finally decked out
in full garb and goes on a killing spree through several neighborhood houses
has impressive camera work that’s done in a few long tracking shots. The other is when a babysitter is trying to
close a closet door after searching her kid’s room for the boogie man. They intercut that with her douchbag
boyfriend smoking a joint and revving a motorcycle outside so there’s good
subversion of expectations in not knowing who’s gonna get slayed.
The sensor light gag is a good idea but the timing of when
the light goes on and off seems to be convenient for whenever Michael needs to
do his thang and doesn’t follow any sort of normal pattern. I know that’s nitpicky but I couldn’t help
but notice.
They did get Michael right which is nice. He looks and moves appropriately, not too
stiff and not too agile. The only moment
that’s out of character is when he dumps a fist full of teeth into a bathroom stall
to intimidate a lady that’s in there.
Michael kills and moves on. He
doesn’t torture or play with his victims.
He may be slow to pounce due to him being mentally deranged and maybe
mulling over how he’s going to dispatch his prey, but he doesn’t do shit to fuck
with them on purpose.
So besides a few good scenes, giving us a good Michael
performance and the kick ass John & Cody Carpenter soundtrack (you better
believe he (they) still got it in the music department) this comes off like bad
fan fiction. The dead giveaway is all
the callbacks to the other Halloweens
and how that almost seems like the driving force. It’s disappointing more than anything and all
the hype around it about this being a true love letter to the series, especially
John Carpenter’s original, certainly doesn’t help. We don’t need a love letter. We need a script that doesn’t make you wonder
how it passed inspection and filmmaking decisions that don’t make you roll your
eyes in frustration. Look, it’s not the
worst movie (actually, it could be the second or third best installment) and I
know I’m being harsh but damn, it sure is a whole lot dumber than I was
expecting. Like, all the other Halloween sequels kinda dumb.
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