What I Liked: The
werewolf transformations are cool with plenty of morphing animatronic head
movement, crazy rubber latex and elaborate makeup effects. This was achieved by the master Rob Bottin (The Thing (1982), RoboCop) who worked under the indomitable Rick Baker (Star Wars, Videodrome, Men in Black)
before breaking out with this picture.
Baker did An American Werewolf in
London the same year and the transformation scenes are very similar. Wolf in
London was done a little smoother and better but that’s only natural due to
more years of experience. Bottin does a
fantastic job with all the effects in The
Howling though and shows why he’s so damn good.
What I Didn’t Like:
The camera work and editing is a bit haphazard.
The opening for example is really confusing with shots of a television
program being taped intercut with other folks trying to listen in on a CB
radio. It took a long ass while before I
realized the people listening to the radio were cops engaged in a sting operation
to catch a serial killer. They’re using
this TV news anchor (Dee Wallace (Halloween
(2007), The Lords of Salem) as bait
because the killer is stalking her. That
could’ve been so much clearer. Plus
there are many awkward edits and shots inserted that don’t seem to make much
sense, like the burger being fried on the flattop over the end credits. Wha?
Overall Impressions:
It’s an alright werewolf picture. The
story isn’t anything great and the execution is mostly barely competent. But the effects work is very good and might
be worth checking out just for that.
It ain’t no Dog Soldiers that’s for sure. If you’re
looking for the best damn werewolf movie that’s the one to see.
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