Perry King (The Day
After Tomorrow, Slaughterhouse-Five) is the new music teacher, Andrew
Norris. He’s all optimistic about making
the student’s lives richer and being a figure they can look up to. But this is an inner city school where every
surface has graffiti on it, the teachers carry guns and the students run amok. You know, you’re typical badass shit that you
find in one of these movies.
The leader of the main gang is Stegman (Timothy Van Patten
(director/executive producer of Boardwalk
Empire)). He’s got the right
attitude but doesn’t have a tough look.
His hair is coiffed nicely, his clothes aren’t dirty or battered, he’s
not particularly tall nor does he have a cool nickname like Razor or some shit. It’s a hard sell but after a while I was on
board. Stegman’s a pretty crazy
sonuvabitch and I like that.
His operation actually seems too big just for a high school
kid but I feel like that helped to make up for his lame appearance (as well as
make this film more entertaining). The
guy deals coke and angel dust, which is standard for this scenario, but he also
has some sort of prostitution ring going.
Plus there’s a hideout where he and his gang do business. Why these people bother with high school I
have no idea. With this full blown
racket you have to assume that they control a certain amount of territory which
means all of their time is going to be taken up by maintaining and defending
their drug and prostitution ventures. In
fact there’s a part where Stegman’s all white gang fights a rival black gang. But the black gang looks like they’re high
school kids too. So it’s a little weird
that there aren’t any other older and tougher gangs trying to muscle Stegman
and his crew.
For a long time I thought these kids didn’t have homes with shitty
families which would’ve backed up my why-do-they-still-go-to-high-school
argument. But we do end up seeing
Stegman’s nice apartment with his mother that thinks he’s an angel. His is the only one we get though. So at least Stegman has to keep up
appearances. I still say that with the
level this kid is operating on it doesn’t make a lot of sense for him to
pretend to go to school.
One of the best scenes is when Roddy McDowall (Planet of the Apes, Fright Night) pulls
a gun on his class. He forces them to sit
there while he teaches and then sticks his piece right in a couple of kids’
faces while he asks them biology questions. They better get the answer right. It’s supposed to be sad and disturbing because
McDowall has snapped and the kids are in danger but with all the hell that
these students have put the teachers through it comes off more as a very badass
and triumphant moment; like finally someone put these little fuckers in their
place.
The same could be said for the ending. I really don’t want to spoil it but I also
really want to tell you how awesome it is.
I guess I should let you folks find out for yourselves. I promise you’ll like the direction they
chose.
I feel like I should mention that Michael J. Fox has a part
in this with a bad haircut and a chubby face.
He plays one of the good kids though.
It would’ve been interesting to see him as a gang member. I seriously doubt he could’ve pulled it off
but I would’ve liked to have seen it anyway.
With the title you would think that this is some sort of
futuristic movie about how shitty inner city schools will get. And I think that was sort of the intent but
this came out in 1982. It’s more of a
comment on how some inner city schools are currently. This means it should be more in line with pictures
like Dangerous Minds and Stand and Deliver (there’s a big but
though) BUT the ending goes against everything you think should happen and against
the message those other movies are trying to convey.
Mark L. Lester’s follow up, Class of 1999, reverses the situation where the teachers are the
threat (because they’re cyborgs!) and the students have to fight for their
lives. I remember it being better than Class of 1984 but they’re both worth
checking out, especially if you’re an educator.
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