Year of the Dragon is about a hard boiled cop named Stanley White (Mickey Rourke (Harley Davidson and the Marlboro Man)) who’s recently given jurisdiction over NYC’s Chinatown. He’s tired of how the gangs run the place so he wages war against them in the most brazen hard headed way possible. At the same time a young Chinese crime boss, Joey Tai (John Lone (The Last Emperor)), makes his move to take over all of Chinatown. So it turns into a battle of two guys who don’t exactly know what they’re doing and both sides suffer.
There are several things I really like and don’t like about
this film. For starters the cinematography
(Alex Thompson (Legend, Cliffhanger, Demolition Man)) and production design
(Wolf Kroeger (First Blood, The 13th Warrior)) are pretty
awesome with its gritty and grand feel. The
grimy sludgy noodle pits underneath Chinatown are some of the grossest and depressing
environments put to film. On the flipside
Joey Tai travels to Thailand at one point and magnificent green mountains are
captured in the background as he rides into a cartel stronghold with dozens of foot
soldiers lining the pathway. A reporter
named Tracy Tzu (Ariane (King of New York)) who plays the love interest has a glamorous
penthouse apartment with three TVs at the foot of the bed, no walls (even for
the bathroom!), an all white color palette, huge arched windows and an insane almost
360 degree view of the Manhattan skyline and Brooklyn Bridge. What’s probably the most impressive feat of
all though is Chinatown is a set constructed in North Carolina. Apparently it was built to exact
specifications and I believe it because I was shocked to learn they largely didn’t
shoot in the real place. In fact it was
so convincing and extraordinary it was reused on dozens of other productions.
Another great aspect is the story. Pitting an up and comer gangster maneuvering
for power against a rabid cop new to the beat working on eliminating all the
gangs is an interesting setup. I mean that’s
some bad fuckin’ luck for Joey Tai though.
He thought he would only have to contend with his fellow mobsters but now
he has to split his attention to fend off the cops as well. He tries to handle the situation as best he
can but what he anticipated being an already tricky coup turns into a nearly impossible
one.
Lone is fantastic too as Tai. So charismatic with a deep undercurrent of menace. Even though he dresses well in suits and his
hair is always perfect and he can be as suave as hell he’ll cut off a dude’s
head if necessary. The frustration he
goes through is palpable as well because his scheme kicks off fine but quickly plummets
off a cliff when White enters the frame. And he can’t turn back. Shit has been set in motion. His fury builds and builds until he finally
lets loose during the concluding showdown.
However, the biggest problem is the character of White. It’s two fold. One is I believe Mickey Rourke was miscast. He’s too young for the role and he’s too soft
spoken. Sure he can get intense but in a
quieter way. The role required someone
more grizzled, more like Gene Hackman who looks like he’s been through some
shit already and can do a good yell.
The larger beef though is White is a major league asshole. He’s racist, a terrible husband, sexually
assaults (nearly rapes?) Tracy and is so fucking stupid he thinks he can go
after the Chinese mob no problem. It’ll
be easy and they won’t retaliate. His naiveté
is infuriating to sit through because you know Joey Tai isn’t going to take
White walking directly into mob headquarters and telling them it’s all over, the
raiding of his gambling halls, the tapping of his phones, the placement of
undercover cops, the numerous insults and everything else lying down. White thinks he can go wherever he wants and do
whatever he wants. The sonuvabitch even
moves into and sets up shop in Tracy’s apartment without her consent. He constantly fights with everyone including
his superiors and the police commissioner.
Plus the fuckin’ guy doesn’t even get results. Maybe a fraction of his bullshit could be
tolerated if he made an impact on the drug trade or put away top crime lords
but nope. He gets exactly bupkis done while
making everyone else’s lives hell. He’s
an exasperating person to hang out with.
Urban crime dramas like these are right in my wheelhouse so I
want to love this film a lot more than I do.
I half love it. And I’d still
cautiously recommend it if you’re into film noir, 70’s grit pics and the like. The relentless attitude makes some sense when
you realize Michael Cimino (The Deer Hunter, Heaven’s Gate) directed and
co-wrote it with Oliver Stone (JFK, Wall Street). They’re kind of passionate guys.
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