You got all your classic shit in this joint like a ton of
booze guzzling and smoke puffing, Easy’s narration telling you his thoughts,
backroom nightclubs, sneak up from behind brawls, location hopping, etc. The plot is appropriately confusing too. I mean it’s not The Big Sleep or
anything but I had to think about it for a minute to understand who was
connected to who and the motivations behind everyone’s actions.
What sets this picture apart though is that it stars a black
man as the lead going around doing the investigating. I don’t know enough about the genre to say
this with any sort of authority but that’s gotta be rare (Eddie Murphy did Harlem
Nights six years earlier but that was more of a comedy). And of course Denzel is fucking awesome so
he’s perfect in the role which requires him to be both intelligent and a tough
motherfucker. He needs to piece together
the clues and make smart calculating moves while fighting off assholes who
stick guns in his face.
Another unique aspect brought to this film noir are the
themes of racism, oppression and police brutality. They’re a huge part of the story and
characters. Easy gets beaten by the
cops, intimidated by a white gangster (Tom Sizemore (The Relic)) and he
owns his own house in the LA suburbs which is a major point of pride and
something others seem to look at with suspicion. It’s all handled very well.
This was based on a book by Walter Mosley and it was the
first in a whole series starring Easy who eventually turns private investigator
full time after realizing he’s a lot better at that than machining. Over the years there have been plans to bring
other Easy cases to film and television but nothing has materialized so
far. That’s a damn shame because this is
a great character who I would love to see more of.
The more I think about this one the more I like it. Hard boiled detective work mixed with
highlighting social injustices, what a combo.
Give it a shot.
No comments:
Post a Comment