The lighting is pretty exaggerated at times with neon pinks
and greens popping up all over the place.
It doesn’t exactly blend but I still like it.
Sid Haig (Coffy, Jackie Brown) is fantastic as the
demented clown Captain Spaulding. He’s
so rude and crude without being annoying which is difficult to pull off. (The
man just died recently by the way, RIP Sid)
What I Didn’t Like: The editing is quite bad. There’s so much goddamn intercut footage of
old black and white horror movies and of the Firefly family members (shot on
video so it looks like shit) where they talk directly to the camera like a
diary. This stuff adds nothing to the
film and gets very irritating very quickly.
The attempted robbery opening didn’t need to be
included. It’s the worst scene, the most
amateurishly executed, it doesn’t do a good job of establishing the world we’ve
entered and it’s so disconnected from everything else. If you cut it nothing changes plot-wise.

Zombie’s biggest influence on this seems to be Texas
Chainsaw Massacre so it’s hard not to draw comparisons. Admittedly I had a difficult time getting
past this on my first viewing but have embraced 1,000 Corpses for its
own style over the years. Zombie does
have a unique voice in filmmaking and you can see the beginnings of that take
shape here. It’s very similar to Quentin
Tarantino but I’ll get into that more in The Devil’s Rejects piece.
This one’s difficult to recommend. The characters are loud, the humor is
abrasive and the editing is obnoxious.
It feels like Zombie’s main focus was to maximize visual impact at the
cost of everything else. If you pause
the movie at any point you’ll see that the frame is dense with so many objects
and details to pick out and pore over.
1,000 Corpses shows a lot potential in a new
filmmaker and like most debuts serves as a sort of sacrificial lamb to gain
some experience and learn the process.
It’s an ok film that tends to get better each time I see it.
No comments:
Post a Comment