Bill greets his old scientist friends that comprise Jo’s field
team and they’re all pleasantly surprised and glad to see each other again. But uh oh, Jo didn’t sign the last page of
the settlement. She stalls and Bill gets
annoyed but suddenly one of the assistants yells out “Jo, major action!” Everyone knows what that means but they wait
for the signal. After a moment of
silently gazing into Bill’s eyes Jo gives the green light and they’re off in a
frantic whirlwind to wrangle themselves…a tornado. That’s right, they’re motherfuckin’ storm
chasers.
Ok, ignoring the completely unnecessary scene that takes
place before this showing Jo’s dad getting murdered by a tornado when she was a
little girl this is a very good setup. A
lot of information gets doled out about the characters without feeling too
contrived and having Melissa (Jami Gertz (Renegades)),
Bill’s new fiancé, tag along for moral support is a smart move. She’s basically the audience who the other
people have to explain stuff to. She
ends up being the best character in the whole movie and I’m not fucking
kidding. But I’ll get back to her.
First I wanna break down Bill and Jo. Yes, they’re clearly meant for each
other. They have a mutual fascination
with tornadoes, they’re enthusiastic about their research, they’re dedicated to
better understanding how a tornado works so they can develop improved warning
systems to help people and they’re both bat shit crazy.
Bill goes by two nicknames, “The Human Barometer” and the
way more radical “The Extreme” (he’s also called “The Most Out of Control Sonuvabitch
In the Game” but I guess that’s too long for a nickname). Now I’m not saying Bill doesn’t deserve to be
called “The Extreme” but it kinda fits Jo a little better. While Bill will put himself directly in the
path of a tornado he always tries to bail out at the last moment. Jo definitely wants to get sucked up into one. She has a death wish and it’s frustrating to
watch. In fact it’s a wonder she made it
this far in her life without getting too close to a cyclone and dying. She’s supposed to be a professional scientist
and not act like a googly eyed zombie forgetting everything she knows when she
sees a tornado.
Hang on a sec though ‘cause I’m not letting “The Extreme”
off the hook that easily. This dude has
serious emotional problems. He’s
antagonistic towards Jo when she tries to make polite conversation, he goes
into rage mode over a competing scientist stealing his idea for a tornado study
experiment and has to be held back, and he insists on driving the truck all the
time even though he keeps fucking up and getting too close to the tornadoes. However, I do love the sorta badass story about
how he got his nickname. You see one
time he strolled up to a tornado while drunk and naked and cursing. He says “have a drink” and throws a bottle of Jack
Daniels at the thing. He was so close
the tornado sucked it right up. Alright,
I guess he earns “The Extreme” moniker.
So Bill and Jo are kinda boneheads. It’s fiancé and therapist Melissa who’s astoundingly
reasonable and amiable. One of the most
amazing things she does is ride along on three storm chasing sessions so Bill
can share his true passion with her. She
also asks questions showing genuine interest in the topic. She could’ve hung back from the start or
tapped out after the first spin but she keeps going out there because she’s
gonna stick by her man no matter how insane this activity may seem.
Melissa is also very nice to everyone, doesn’t look down on
Bill’s friends or dismiss their profession. Nah man, she’s captivated by the world she’s unexpectedly
found herself in. The good doctor even
takes patient calls while she’s out there being twirled around by a
tornado. Sure, she’s freaking out but
she lets the person on the other end know that she’s there for her. She’s just a really good person.
On top of all this Melissa knows that Bill and Jo should be
together and does the right thing by breaking up with Bill and letting him live
the life he clearly loves with the woman he clearly still loves. Melissa says she isn’t upset either but
doesn’t know what that means. Well I’ll
tell ya. She helped Bill see what was
there all along. He needs to be chasing
storms with Jo and the gang and not tucked away in a studio doing weather
reports. He’s “The Extreme” not “The Content”
and making him realize that makes Melissa feel at least fine about it. Happy may be stretching it since she did just
lose her fiancé. But anyway, you get my
point. She wants Bill to be happy even
if that means giving him up because she cares for him. Melissa’s the best.
As for those wily tornadoes they do give you a lot of them,
six scenes in total. We see them
destroying structures, flinging debris around and chasing after our
protagonists all like you would want to see in one of these pictures. For something called Twister they certainly deliver on the twister action and I commend
the filmmakers for doing that.
But I will stop short of calling into question how realistic
the tornadoes behave and if Bill and Jo really should’ve died several times
throughout. Yea I know everyone likes to
make fun of them surviving the most violent type of tornado (F5) by tying
themselves to a pipe with puny leather belts, the tornado can pick up the truck
right next to them but they’re left alone, they can outrun a tornado, the
twister roars and screeches like some horrible beast and blah blah blah,
etc. There’s so much in here that seems
like total bullshit movie physics/science type stuff that it gets to a point
where I simply don’t care. It pelts me
into submission.
The CGI used for the twisters isn’t terrible however. I mean if you pull up footage of actual
tornadoes they all look kinda fake. This
massive swirling cloud that appears randomly, damages a bunch of shit and then
suddenly vaporizes seems like something too bizarre to exist in real life. And they look truly frightening to encounter. Fuck these things man.
Getting back to the movie, the filmmakers use a lot of wind,
lighting and rain effects to stand in for the tornadoes most of the time
because CGI was still expensive as hell in 1996 and had limited uses. If you couple that with all the props like full
sized tankers, tree branches, wood boards, farm equipment and etc being flung around
and dropped from the sky the effects are nicely done and convincing.
On the negative end there’s a shocking amount of excess stuff
that didn’t need to be in this picture.
I already cited the opening scene.
Merely mentioning that Jo’s father was taken out by a tornado is all you
need to do, we don’t have to see it with our own eyes.
Another superfluous aspect is the very high number of
members on Jo’s science team. There
should be Bill, Jo, two other assistants and maybe that one navigator guy (Alan
Ruck (Star Trek: Generations)) with
all the maps ‘n shit whose job ironically would be obsolete in a short ten
years or so. But Jo has no less than ten
members including herself and Bill. And
it’s not like they all have a specific purpose.
Most of these characters don’t do anything except spew one line of science
jabber.
And among the redundant team members is Dusty (Philip
Seymour Hoffman (Red Dragon)), who’s
there for comic relief and to try to get the audience pumped by yelling shit
like “we got one!” and “it’s coming, it’s headed right for us!” God I hate this obnoxious quasi hippie character. He’s not funny, he’s not helpful, he’s just a
doofus. Is this asshole even a scientist
of any kind? He doesn’t say anything
science-like or observe weather patterns or study data that’s been gathered or
anything. He’s an exasperating pest who
contributes jack shit to the field work.
Out of everything though perhaps the most pointless element
in the film is the inclusion of the rival storm chasers. They’re sellouts in it for that sweet life
threatening up close tornado observing money, or something. Everything about them is designed to be a
direct contrast to Bill and Jo’s team. The
sellouts dress in stiff slacks and polo shirts as opposed to denim and flannel,
they drive uniform black minivans which is definitely less cool than the
hodgepodge of vehicles in Jo’s fleet, their tiny tornado sensors are angular
cubes instead of smooth orbs and etc. The
film makes you believe these guys are going to play a big role in the upcoming
events but it turns out they have absolutely no bearing on the story whatsoever. If you took them out not a damn thing would
change. They’re only here so the tornado
can have someone to kill later, and even then it’s only two out of the entire
team.
I actually have something to say on the death of the
sellouts and it’s this: what the fuck did they ever do to deserve the gruesome demise
they got? Like one guy gets impaled by a
metal lighting truss and then their car gets tossed through the air and
explodes in a huge fireball. Man, that
death sentence is severe. I get that
these guys are jerks but as far as we know they never endangered anyone’s life,
circulated false science into the community, punched someone in the face or
anything. Yea, they stole Bill’s tornado
observation experiment but their goal was to help people by crafting a better
early warning system, same as Bill’s.
The tornadoes are the villains here.
They didn’t need human bad guys as well.
One last thing I want to mention is the strange way this movie
maligns weather reporters. Bill gives up
storm chasing to become one and as a result everyone kinda gives him shit for
it. I guess relaying weather newscasts
to the public who rely on that information to know if a fucking tornado is
headed their way isn’t as noble as deliberately and perpetually putting
yourself in the path of that deadly force of nature. What’s with those weather reporters trying to
warn people about imminent danger and aiding them in what they can do to remain
safe? Gosh, what a bunch of losers.
Of course I’m being sarcastic but really, for all the glory
they bestow upon storm chasers the way they’re portrayed here is probably
insulting. I don’t know shit about
meteorology or any of that but I get the strong feeling that this picture makes
people who study tornadoes look like irresponsible idiots. They come off more like thrill seekers in
search of a high than seasoned specialists who have enormous respect for what
they’re studying. I dunno.
Anyway, you add all this up and unfortunately you get a
movie that’s pretty stupid. That may
sound harsh but none of it makes much sense if you think about it. At the same time the movie does have that big
summer popcorn blockbuster feel which is wonderful. And I really mean that. For all the bad mouthing I just did the film
goes down no problem.
Longtime cinematographer turned director Jan de Bont followed
up his fucking tremendous debut Speed
with this. He had been in the industry thirty
plus years by 1996 and that’s what shows up on screen and makes the thing so
easy to watch. The man knows the
language of big Hollywood film and how to satisfy a mainstream audience. He only made five movies during his short
directing career but they were all in the blockbuster style and Twister is no exception. It’s a loud, fast paced, larger than life action
adventure spectacular with just the right amount of hokey romance and comic relief
sprinkled in to make it appealing to a boatload of people.
This was part of the natural disaster genre comeback in the
90’s and it was a big deal when it came out.
I remember they were showing real tornado footage in the lobby to get
folks juiced and goddamn did it work (for the record I don’t recall them showing
tornadoes damaging anything so they kept it tasteful, probably, potentially,
actually I don’t have any way of confirming that). The subject matter was deserving of a large
scale Hollywood production and it paid off.
Twister was a monster hit.
While this one is a good time overall it has a lot of
fucking problems. The way the characters
are introduced and the initial setup scene is well done but other than that
things are a mess. Although, I can’t
deny the film does everything you want it to do. There are plenty of tornadoes, they cause
destruction, they put the protagonists lives in danger at various moments and
our leads fall back in love by the end.
The essential beats are hit. And
everything else is stupid.
Twister was such a success that Universal Studios made an attraction out of it. Basically it was a recreation of the drive-in movie scene from the film and we got to see a tornado destroy a bunch of stuff. It included real sets, props, fire, water, wind, an unconvincing cow flying by on cables and a decent sized tornado all meticulously timed to give you a glimpse of what these things can do.
The attraction is long gone now though and admittedly I never
thought too much of it whenever I did it over the years. But the last time I took a ride I got to
experience the front row with maybe only like five other people. It was like a private showing. Seeing the special effects demonstration that
up close including the fifty foot tall tornado that was created indoors was
incredibly impressive (the technology behind the ride is fascinating which
involved measuring weather conditions in real time outside to help create the
funnel). It also made me realize how
scary that fucking thing is and this is only a fraction of the size of a real
one. This final moment with the
attraction earned it a special place in my heart and by association the stupid
movie it’s based on.
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