Pretty incredible action thriller about a drug runner named
Bradley Thomas (Vince Vaughn (Domestic Disturbance)). He gets busted, goes
to jail and is then blackmailed by a mob dude to kill some asshole or they’re
gonna mutilate his unborn baby.
In order to reach the target Bradley needs to get
transferred out of medium security prison into maximum security prison. He immediately fucks up a bunch of guards
which does the trick rather efficiently.
Now that he’s in the new joint he needs to get to the very scary cell
block 99 that’s reserved for the absolute worst of the worst. It’s a prison within a prison as warden Don
Johnson (Harley Davidson and the Marlboro
Man)) calls it. If Bradley wants to prevent
the bad guys from severing his fetus daughter’s limbs then he’s gotta get in
there.
One of the smartest things writer/director S. Craig Zahler (Bone Tomahawk) does is take the time to
build up Bradley’s backstory. The movie
starts with him getting fired from his tow truck driving gig and then coming
home to discover that his wife (Jennifer Carpenter (Seeking Justice)) has been cheating on him. He’s had enough and can’t play by the rules
anymore so he goes to work for his cousin as a drug courier. Eighteen months later he’s making a shitload
of money and he and his wife are expecting a baby and seem truly happy. So going through the ups and downs with
Bradley makes his ultimate downfall fucking heartbreaking.
This one plays like a Greek tragedy. The story feels big yet intimate at the same
time. Bradley must journey into hell
like a valiant warrior to free his family from the clutches of evil. At each turn he has to battle crazier and
more difficult foes who attempt to thwart his mission. And the deeper he ventures, figuratively and
literally, into the catacombs of the prison he gets farther from reality and
who he used to be. It’s horrific how bad
the conditions get with shit clogged toilets, glass shards covering the dirt
floor and a belt he’s forced to wear that induces crippling electric shocks at
the push of a button. It’s also
outrageous how violent Bradley gets with the folks that cross his path. Let’s just say that a lot of heads get, uh,
sorta smashed.
You gotta check this out.
It’s very Refn-esque with the level of viciousness, the fantastic
characters and an elevation of the material through excellent storytelling that
only a few can pull off. If you’re a fan
of badass cinema get yourself to the brawl.
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