Rocky Balboa
Better than I remembered.
It’s so endearing and thoughtfully put together. Yea I know it’s the same basic idea we’ve
seen five times before but the unforgettable characters and the devotion to
making all aspects ooze with quality is magical. So few series can pull that off.
And older Rocky is even more interesting than younger Rocky
with all of his hard earned wisdom. You
know this guy’s been through some shit but he keeps on fighting. There’s a great quote in here that defines
the movie perfectly: “It ain’t about how hard you hit. It’s about how hard you can get hit and keep
moving forward.” Rock keeps going no
matter the challenges, no matter what life throws at him. Adrian’s dead, Paulie is still an asshole
that leans on his brother-in-law tremendously, his son is uneasy about being in
the shadow of a boxing legend and he feels compelled to help anyone in
need. So seeing the character cope with
all this and still be as strong and steady as he is thirty years later is
inspiring.
This is a feel good movie that tugs effectively at the ol’
heartstrings. It’s a wonderful
installment that shouldn’t be overlooked.
Nine Months
Couple of weird things here: Hugh Grant (Extreme Measures) says “sorry”
approximately 837 times, Grant being a child therapist (with apparently only
one patient) who doesn’t really want to have kids is more than a bit much, the
word “fuck” is said three times (including yelled angrily twice) and this is a
PG-13 romantic/family comedy.
More to that last point probably the funniest aspect of the
film is the shocking amount of vulgarity.
A lot of the actual jokes fall flat but stuff like having two grown men
beat the shit out of a Barney the dinosaur look-a-like and giving little kids
lines like “I removed the victim’s brains with an ice cream scooper” is harder
than what it feels like the movie was aiming for. I mean there’s just so much cursing. More shits and assholes than you’d ever
think.
The last half hour is downright hilarious though when
Julianne Moore’s (The Hand That Rocks the Cradle) water breaks and things kick into high gear. Grant keeps nearly killing people with his
car on the way to the hospital and ends up giving all his injured victims a
lift. So even though he’s a terribly
reckless prick he does the right thing by giving some help. Then after that Robin Williams (One Hour Photo) has to deliver two
babies at once but, again, there are barriers.
The first is he’s Russian and his English is bad so he can’t give the
proper instructions. On top of that he’s
mainly trained in delivering monkey babies, not human ones. And to pile more shit on Hugh Grant and Tom
Arnold (True Lies) are verbally and
physically fighting with each other in the delivery room and getting in the
doctor’s way. It’s total fucking
chaos. But believe it or not this
cluster fuck of a premise works and at least we’re given a fun wacky ending to
an otherwise kinda bland picture.
Putney Swope
During a big meeting the head of an advertising agency
suddenly dies on the boardroom table.
The rest of the execs decide to take a vote right then and there to see
who should continue to lead the company.
They end up accidentally electing Putney Swope (Arnold Johnson (Menace II Society)), the only black exec
in the room. He changes everything up by
switching the name of the company, hiring almost all black people, and creating
ridiculous nonsensical ads.
The movie is an art piece with not exactly a linear story
line and all sorts of stream of consciousness type stuff thrown in. Like the company puts its money in a giant
glass box, or a photographer looking for work pitches himself with the same
lines in multiple scenes, or there’s one ad that shows a young woman dancing in
a totally filthy alley to some groove rock track and she only pauses to say
“you can’t eat an air conditioner”. I
think writer/director Robert Downey Sr. wanted to show how terrible the
marketing business was so all of the characters are either crooks, ignorant or mean
spirited. Nothing really adds up in this
world he created except for a clear dislike of big business manipulating the
public.
Overall I liked it but it’s a little out there for me. It’s difficult to get your arms around which
is definitely not a bad thing. Maybe
what’s nagging at me is the message is too in your face. This extreme approach to get that message out
there is interesting though.
The Dirty Dozen
Wow, what a crazy violent movie. The premise has to do with a secret military
operation during WWII where the allies recruit twelve imprisoned soldiers, whip
them into tip top shape and sneak them behind enemy lines to execute a suicide
mission. It’s an excellent pulpy idea
that gets the juices flowing.
Everyone is perfectly cast, from Lee Marvin (Point Blank) as the hardcore yet
ominously witty Major who leads the squad, to the ever stoic Charles Bronson (Death Wish 3), to the meek Donald
Sutherland (Backdraft), to the level
headed Jim Brown (Original Gangstas),
to the anxious and charismatic John Cassavetes (Rosemary’s Baby), they’re all fantastic. You really get to know these characters and
by the time the big assignment comes you’re seriously emotionally attached.
And man the ending is something else. Our guys must infiltrate a remote French
hotel that the Nazis have seized and are using for their own swanky parties. They gotta sneak around and plant explosives
so they can blow the place up and then get the hell outta dodge. The whole thing is methodical, tense and
builds well but then blam, the entire operation goes off the fuckin’ rails. I don’t wanna say anymore because you should
really check it out. One of the best
finales in cinema.
I can’t believe it took me this long to get to this
one. It’s one of the most badass bastards
I’ve ever run into. Watch it.
No comments:
Post a Comment