What I Liked: Chucky’s stitched together face, stapled on hair, ragged overalls and bloodshot eyes look great. Frankenstein is used as a loose theme for the movie including giving the doll a quasi undead monster overlay. Now I’ve never found Chucky threatening solely by his appearance when he’s brand new out of the box. It’s when he gets a knife hand or half his face sliced off that he takes on a frightening appearance. So I dig that in this one he’s fucked up from the top. This is his most gnarly design yet.
Some cool imagery sprinkled throughout. There’s a scene where Chucky transfers his
old girlfriend’s soul into a doll and the room is filled with bubbles and
strobing lights because she’s killed while taking a bath. Someone gets a bunch of nails blasted into
their face. Shards of glass fall on a
couple in a waterbed and there’s an explosion of bloody water and sparking
lights.
The dolls are kept totally practical without the aid of
CGI. This was a bad era for CGI and some
is employed in other areas of the film but thankfully they remained committed
to keeping our main characters animatronics, puppets, little people in
costumes, etc.
What I Didn’t Like: Gotta be honest here, I’m not
really into the concept of this installment.
By film four I understand the desire to change shit up but going in a
decidedly comedic direction with Chucky having a lot more screen time doesn’t
work all that well. If you step back for
a moment the idea presented actually makes more sense than at first
glance. Throwing another possessed doll
into the mix is a device you sometimes see in sequels where you add more of the
creature from the previous film (Aliens, Predators, Terminator 2). The new doll is inhabited by Tiffany
(Jennifer Tilly (Let It Ride)) who is Charles Lee Ray’s girlfriend from
ten years prior so that checks out in terms of her being a potential
bride. They then team up to transfer
their souls to human bodies and cause a lot of destruction along the way. The thing is one doll is fine but two just
comes across too silly. The tone
instantly becomes lighter due to their cutesy relationship, whether it’s
playful bickering or genuine affection (and yes, the doll sex scene is as
awkward as you’ve heard). When the focus
turns to Chucky and his new partner in crime the menace is diminished in this
case and not multiplied. The two are
inseparable for the entire duration and so there isn’t the creepy notion of a
killer lurking around the corner, hiding under the bed or any other small
space. The camera is always on them.
Unfortunately there are a lot of dated references. The term “the 90’s” is said numerous times
plus the Rob Zombie opening credits song, an obvious Marilyn Manson rip off
looking dude who becomes a victim, mentions of Boogie Nights, Jerry
Springer, Christian Slater and there’s a running joke about Martha Stewart.
Our main human characters are a pair played by Katherine
Heigl (Under Siege 2: Dark Territory) and Nick Stabile (The Beach
Boys: An American Family) and they’re bland as shit. They’re there to transport Chucky and Tiffany
to New Jersey (where Charles Lee Ray is buried (he was killed in Chicago
though, sorta confusing)) and to be vessels for a soul transfer. There’s nothing interesting or compelling
about these two. They keep thinking each
other is responsible for the string of grisly murders that follow them
everywhere and the misunderstanding goes on for a little too long.
Overall Impressions: I respect director Ronny
Yu. Legacy of Rage and Freddy vs. Jason are fucking awesome (I know, I know I need to see The Bride
with White Hair and Fearless).
And he does as good of a job here as you can expect. Broadly speaking it’s a well made movie and
as I said earlier the script isn’t far fetched. They just opted for a tongue in cheek attitude. It’s not that terrible of a picture
really. However, while I’m all for
trying out new ideas this core concept isn’t that exciting to me. I much prefer Chucky solo with a less goofy
tone.
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