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Friday, September 22, 2017
Wednesday, September 13, 2017
Men of Honor (Billy Sunday Bar Speech)
Men of Honor is a
forgotten gem about Carl Brashear who was not only the first African American Navy
Master Diver but also the first African American Navy Master Diver with one
leg! He lost his left leg in an accident
in the middle of his career but recovered and continued to dive and rose to the
level of Master Diver.
Of course when Brashear was coming up in the late 40’s and
50’s he had to deal with racism and bigotry at every turn. This film chronicles all the terrible shit he
had to endure and his glorious triumph over all those assholes and institutions
to achieve his dream of diving for the US Navy.
Cuba Gooding Jr. (Chill Factor) does a pretty good job in the lead role turning on that
irresistible charm or intense scowl when needed. But Robert De Niro (The Fan) as Brashear’s diving instructor/eventual friend Master
Chief Billy Sunday steals the show. This
guy didn’t exist in real life but these types of inspirational movies always
have a character like that (Mickey from Rocky,
Yoda from The Empire Strikes Back,
John James Urgayle from G.I. Jane,
etc.) and this is one of the greats in my opinion. As per usual he’s one tough bastard who’s
seen it all and pushes his recruits hard as hell to whip them into shape. He even tells his men “I am God!” And goddammit, he’s
the very best teacher in his field.
But the real reason I wanted to bring this underappreciated
movie up is the speech Sunday gives in a bar to Brashear about the time he and
his men were trapped in a sunken ship during WWII. I couldn’t find a clip of it so here’s the
transcription (I know there’s no substitute for De Niro’s badass performance
but this shit reads well anyway):
Sunday: You see this pipe?
General MacArthur himself
smoked this pipe. I served with him in
Leyte Gulf. Biggest naval battle in
history. Kamikaze ripped into this
escort carrier, name of Saint Lo. She
went down on a shallow reef trapping me and six boys in the fire room. Only one way out.
Brashear: Flood the compartment and swim up.
Sunday: Five decks, cookie. Five fuckin' decks. Locked bulk
heads, dead bodies everywhere - you got to have your balls screwed on tight for
that swim. We still had intercom. Old
MacArthur himself came over that squawk box, "Sunday, you cocky son of a
bitch I bet you can't hold your breath for four minutes and swim out of
there." Know what I said back? "No Mac I can't, but I'll bet you your
cob pipe I can hold it for five, 'cause that's what it's gonna take,
motherfucker." There's six men
still breathin' today, 'cause I led 'em out of that fire room. And now just 'cause you pulled little Isert's
white little fuckin' ass out of some row boat sunk in a mud puddle, you think
you're better than me? Well, let's just
see.
Friday, September 8, 2017
Mish Mash 13 (Faceless Holes, Crossdressing Commander Krill, Useless Margo, Faceless Henchmen)
Faceless Holes
Does anyone know why in The
Man Without a Face Mel Gibson makes Nick Stahl (Terminator 3: Rise of the Machines) dig square and triangular holes
as part of the tutoring? I mean I know
Gibson’s trying to teach about calculating volumes ‘n shit but the holes don’t
come back around later like Mr. Miyagi in The
Karate Kid showing Daniel he had been learning martial arts all along with
the various assigned chores. There isn’t
a lightbulb moment where Stahl realizes the digging and filling in of the holes
was actually time well spent because he learned a lesson. We don’t even know if he correctly dug them
to Gibson’s requested specifications. So
this kinda just comes off like child manual labor to me.
Crossdressing Commander Krill
Commander Krill (Gary Busey) definitely did not need to
dress up as a woman during the captain’s party in Under Siege. He wasn’t
trying to go incognito and sneak past people or fool folks into thinking it
wasn’t him. By the time he gets to the
captain’s quarters his wig is off so the silly time is over quickly. It wasn’t misdirection either because we
don’t see anyone smuggle anything past the officers at the party. And if you say Krill needed the wig to
conceal the gun he used to kill the captain with I don’t buy it. He could’ve put anything over the gun to hide
it like a jacket or a hat. Did Krill
dress up for shock value to temporarily distract the captain before murdering
him? That also doesn’t make sense
because Krill doesn’t shoot the captain immediately. He takes the time to deliver one last line
before the assassination. Plus it isn’t
setup that the captain is always armed and ready for an attack. So then what was the point of Krill cross
dressing? If you take it out of the
movie nothing changes. I guess it was
purely to have some fun with the audience?
Useless Margo
Along the same lines as the previous section in Big Trouble in Little China Margo (Kate
Burton (127 Hours)) is a completely
unnecessary character. She doesn’t help
in any way by possessing unique knowledge, fighting off bad guys or doing any
other goddamn thing at any goddamn time. At some point the filmmakers must’ve realized
this plus the fact that they already had two damsels in distress (Miao Yin and
Gracie Law) because they sideline her ass for the third act. I can’t believe it took me this long to see
how much of a useless character she is.
If you took her out nothing would change.
Faceless Henchmen
Faceless henchmen have always been around. You can go back to the stormtroopers in Star Wars or the king’s forces in The Adventures of Robin Hood to find a
boatload of baddies being killed like it’s the easiest thing in the world. They’re setup for us to believe that their
lives aren’t worth a damn, or that they’re not even real people.
Things changed in the 80’s and 90’s though where we actually
got to know our main villain’s henchmen.
Maybe we couldn’t tell you all their names but we would recognize their
faces and they may have even had a few lines of dialogue. Think back to Die Hard, Out for Justice and Robocop,
we know these henchmen. Of course not
every movie made during that time was like that. Commando,
The Matrix, Cobra and True Lies
all feature faceless henchmen, generic men that only show up on screen to get
mowed down in an instant.
My recent viewings of Logan
and John Wick: Chapter 2 got me
thinking about the whole faceless henchmen thing because both have them. And I realized I generally prefer to get
acquainted with a bad guy’s crew. It
might seem insignificant but that extra touch can go a long way. It should get you more invested in the story
and characters which is nice. So I say
give these henchmen faces and personalities.
They’re out there dying for us.
It’s the least we can do.